Sony Sony Alpha Mount Zoom in Oceanside, NY

Vario-Sonnar® T* 16-35 mm F2.8 ZA SSM II

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Vario-Sonnar® T* 16-35 mm F2.8 ZA SSM II

Sony SAL1635Z2

Three aspherical elements, one super ED (Extra-low Dispersion) element, and one ED glass element in a precision optical design achieve prime lens-class resolution and contrast. The basic optical design is unchanged from the original version, offering superb wide-angle image quality with an absolute minimum of distortion.
Aspherical lens elements are more difficult to manufacture than simple spherical types, but when properly designed they can reduce a wide range of optical aberrations to extremely low levels. This lens includes three aspherical elements that contribute to stellar overall optical performance.
This lens includes one Super ED (Extra-low Dispersion) glass element and one ED glass element that greatly reduce chromatic aberration, particularly at longer focal lengths. Super ED glass provides enhanced compensation for chromatic aberration, particularly at longer focal lengths.
A bright constant F2.8 maximum aperture throughout the wide-angle zoom range means consistent exposure settings at any focal length as well as improved low-light capability. There's no need to worry about aperture-related exposure variations as you zoom, and you can get great results shooting hand-held indoors or in other dimly lit situations.

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Vario-Sonnar® T* 16-35 mm F2.8 ZA SSM

Sony SAL1635ZUS

Wide aperture zoom lens covering wide angle to medium telephoto
Smooth, silent AF operation with high-torque SSM (Super Sonic Wave Motor)
17 lens elements in 13 groups, including three aspherical elements and two ED glass elements
Clear, sharp description with minimized spherical aberration at telephoto end

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Vario-Sonnar® T* 24-70 mm F2.8 ZA SSM II

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Vario-Sonnar® T* 24-70 mm F2.8 ZA SSM II

Sony SAL2470Z2

The Vario-Sonnar® T* 24-70 mm F2.8 ZA SSM II employs two aspherical elements and two ED (Extra-low Dispersion) glass elements in a precision optical design for excellent resolution and contrast. The basic optical design is the same as the original version, which is widely regarded as being more like a prime lens than a zoom in terms of image quality.
Aspherical lens elements are more difficult to manufacture than simple spherical types, but when properly designed they can reduce a wide range of optical aberrations to extremely low levels. This lens includes two aspherical elements that contribute to stellar overall optical performance.
This lens includes two ED (Extra-low Dispersion) glass elements that greatly reduce chromatic aberration, particularly at longer focal lengths. They also contribute to superior contrast across the entire image, even at large aperture settings.
A bright constant F2.8 maximum aperture throughout the zoom range means consistent exposure settings at any focal length as well as improved low-light capability. There's no worry about aperture-related exposure variations as you zoom, and you can get great results shooting hand-held indoors or in other dimly lit situations.

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Fisheye Converter

Sony SEL057FEC

The world looks quite different at a focal length of 16 mm and with a 180° angle of view, and that difference can give you a new way to realize your artistic vision, or simply provide some new photographic fun. It's a world that every photographer should explore.
The Fisheye Converter has been specifically designed for use with the FE 28 mm F2.0 lens. It integrates seamlessly with the precision FE 28 mm F2 optical path so that optimum resolution and image quality are ensured. Other than focal length, the only change is that the maximum aperture becomes F3.5 when the converter is attached.
A sensor system detects the converter when mounted so that appropriate EXIF lens data is generated and recorded by the camera. That makes data management easier when you sort or process your images later.
Not only are the Fisheye Converter optics designed specifically for the FE 28 mm F2, but the visual appearance is too. The converter blends smoothly with the lens when mounted, giving the appearance of a single integrated unit.

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Ultra Wide Converter

Sony SEL075UWC

A 21 mm focal length makes it possible to capture sweeping views with impressive perspective indoors or out, particularly when shooting in the full frame format.
A 21 mm focal length not only allows you to capture wider scenes, whether you're shooting scenery outdoors or a group of people indoors, for example, but it is also capable of producing strong perspective that can emphasize the size of objects in the foreground as well as the distance between foreground and background objects.
A sensor system detects when the converter is mounted so that appropriate EXIF lens data is generated and recorded by the camera. That makes data management easier when you sort or process your images later.
Not only are the Ultra Wide Converter optics designed specifically for the FE 28 mm F2, but the visual appearance is too. The converter blends smoothly with the lens when mounted, giving the appearance of a single integrated unit.

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Vario-Tessar T* FE 16-35 mm F4 ZA OSS

Sony SEL1635Z

A 16 mm to 35 mm wide-angle zoom range, coupled with effective built-in optical image stabilization makes this lens an excellent choice for snapshots, indoor scenes, group shots, landscapes, and more, especially with a full-frame 7 series body. The ZEISS® Vario-Tessar configuration offers outstanding performance in a compact, lightweight design.
Superior clarity and minimal distortion are achieved by an advanced optical design that includes one large AA element and three ED elements. The legendary ZEISS® T* (T-star) coating enhances performance even further by effectively suppressing reflections so that crisp, natural contrast is maintained, especially when shooting landscapes.
Constant aperture at all focal lengths means that the user can zoom and shoot at any aperture without having to worry about changes in exposure settings or depth of field, concentrating on the image rather than technical details. Maximum aperture is F4 through the zoom range.
Built-in Optical SteadyShot image stabilization compensates for camera shake that can blur images when shooting handheld. Sharp, clear night scenes or indoor shots in dim lighting can be captured without the need to boost ISO sensitivity and risk increased noise.

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E 18-135mm F3.5-5.6 OSS

Sony SEL18135

Compact (E-mount APS-C format) and lightweight (11.5 oz [325 g]), this lens features an optical design optimized for short flange focal distances that makes it small and manageable on its own while also contributing to notable reductions in overall system size, weight, and portability.
A high zoom ratio provides a versatile 27-mm to 202.5-mm range (35-mm format equivalent, 7.5x optical zoom) that covers a broad spectrum of subjects and situations: scenery, nature, portraits, and general day-to-day photography.
A new optical design that includes one aspherical element contributes to consistently high resolution from the image center right out to the edges, while two ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration.
When shooting scenes from a handheld position, particularly night scenes or in dimly lit interiors, built-in optical image stabilization makes it easier to shoot blur-free images handheld.

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FE 24-105 mm F4 G OSS Lens

Sony SEL24105G

A wide 24-105 mm zoom range with constant F4 easily handles subjects such as portraits, snapshots, landscapes, architecture, and more. This one lens will cover most shooting needs, minimizing the need to carry extra equipment.
Four aspherical elements, two of which are high-precision AA (advanced aspherical) types, are used in an advanced optical design that effectively suppresses distortion while maintaining consistently high corner-to-corner resolution and image quality throughout the lens's zoom range.
Three ED (Extra-low Dispersion) glass elements strategically deployed in the lens's optical path further enhance resolution by suppressing chromatic aberration. Excellent sharpness and natural color reproduction are maintained right out to the image edges.
Sony's original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting in backlit and other challenging lighting situations, for consistently high contrast and clarity. Freedom from flare over a wide range of incident light angles provides greater framing and composing flexibility. (1. Nano AR Coating / 2. Glass / 3. Transmitted light)

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FE 24-240mm F3.5-6.3 OSS

Sony SEL24240

This lens goes wider that most other lenses of this type, with a 24 mm wide end that makes a significant difference in the full-frame format. 24 mm means more dynamic perspectives for scenery, architecture, indoor shots, and a multitude of other subjects. Excellent resolution is maintained throughout the image area at all focal lengths.
24 mm to 240 mm covers a broad variety of photographic needs. It is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events. Move close to the subject and use the telephoto end of the range to create impressive perspective, with smooth bokeh effects for subjects like flowers as well as general photography.
Five aspherical elements and one ED glass element contribute to high-quality 24 mm performance in a compact lens. All types of aberration have been effectively suppressed while high resolution is achieved throughout the image area. An advanced linear motor drives the focusing mechanism for quick, smooth response throughout the extended zoom range.
Built-in Optical SteadyShot (OSS) image stabilization makes it easier to capture clear images when shooting handheld at the telephoto end of the zoom range, in ambient indoor lighting, or when shooting night scenes. For most photography, you can leave the tripod at home!

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FE 24-70 mm F2.8 GM

Sony SEL2470GM

No-compromise design and technology result in a constant F2.8 zoom lens that can fully utilize the potential of current and future high-resolution camera bodies. This peerless standard zoom covers a 24 mm to 70 mm focal length range, and is an ideal choice when ultimate image quality is required for portraits, scenery, snapshots and more.
An XA (extreme aspherical) lens element with superlative surface precision not only contributes to stunning corner-to-corner resolution and detail throughout the zoom range, but also plays a vital role in achieving smooth, soft bokeh that can be a powerful expressive tool in a wide range of photographic situations.
One ED (Extra-low-Dispersion) and one Super ED glass element in an optical path that has been designed to the highest standards help to achieve lifelike, natural imagery without unnatural coloration by keeping axial and lateral chromatic aberration in check while maximizing subjective resolution for breathtaking texture and detail.
A constant F2.8 maximum aperture makes it easy to keep exposure settings constant throughout the zoom range to maintain low-light capability or action-stopping shutter speeds. Consistently spectacular image quality is ensured at any aperture or focal length

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FE 28 mm F2

Sony SEL28F20

Advanced fixed focal length optics effectively minimize aberration from infinity right down to the closest focusing distance for excellent sharpness throughout the image area. All lens surfaces are multi-coated to minimize backlighting induced flare and ghosting for maximum subject clarity and contrast.
A 9-blade circular aperture works with this lens's large aperture to produce smooth, beautiful background bokeh.
The compact, lightweight design of this full-frame lens is an ideal match for compact 7 series bodies. At only 7.05 ounces, it is a convenient choice for snapshots and everyday use, and an aluminum alloy exterior adds elegant appearance as well as sophisticated feel.
An ideal second lens for full-frame photographers who want to explore the superior sharpness and expressive potential of a high-performance prime lens. An optical design that includes 3 aspherical lens elements (one is an advanced aspherical element) and 2 ED elements, packs outstanding optical performance into a compact lens, and boasts a bright F2.0 maximum aperture, makes low-light shooting easy.

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Distagon T* FE 35 mm F1.4 ZA

Sony SEL35F14Z

Three aspherical elements, including one precision Sony AA (advanced aspherical) element, combine in a state-of-the-art optical path to effectively compensate for aberration and achieve outstanding corner-to-corner sharpness. That sharpness is maintained even at maximum aperture so optical performance is consistent at all exposure settings.
The F1.4 maximum aperture of this lens makes it easier to capture clear images in low light, even when shooting handheld. A 9-blade circular aperture design enhances its capability for stunningly beautiful background bokeh when desired. Smooth bokeh can make subjects stand out in images with deep dimensional impact.
ZEISS® lenses are renowned for their outstanding color reproduction and contrast. The ZEISS® T* coating is an important contributing factor, effectively suppressing spurious reflections that can degrade overall image quality. Flare and ghosting are reduced for enhanced color and contrast, giving images a deep, three-dimensional feel.
A new DDSSM (Direct Drive SSM) system is used for precision positioning of the heavy focus group required for the full-frame format, allowing precision focusing even within the lens's shallowest depth of field. The DDSSM drive system is also remarkably quiet, making it ideal for shooting movies where focus is constantly changing while the scene is being recorded.

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FE 70-200 mm F2.8 GM OSS

Sony SEL70200GM

The most advanced technology available has been applied in the G Master series, further refining acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in an outstanding constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance.
Specifically designed to resolve spatial frequencies with excellent contrast, this lens includes three aspherical elements, including one double-sided and one newly developed XA (extreme aspherical) element with 0.01 micron surface precision, to effectively control aberration for astonishing resolution plus glorious bokeh.
Chromatic aberration that can be a problem in telephoto lenses is thoroughly suppressed by the use of four ED (Extra-low-Dispersion) glass elements and two Super ED glass elements. Color bleeding is banished so the subject can be captured with maximum sharpness.
The focusing system's double linear motor takes on the vital role of providing "wobbling" actuation for the AF contrast detection system when shooting video. An optical design that effectively minimizes focus breathing plus quiet mechanical operation further adds to focusing performance that is ideal for movies as well as stills.

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FE 70-300mm F4.5-5.6 G OSS

Sony SEL70300G

The first E-mount zoom to cover a 70 mm to 300 mm range is a versatile image-making tool that can handle a wide range of subjects, from portraits and scenery to sports and nature. On an APS-C the telephoto end of the range provides a 450 mm equivalent focal length for serious super-telephoto photography.
Four aspherical elements and two ED (Extra-low Dispersion) glass elements work with Sony's Nano AR Coating to ensure that all forms of optical aberration are effectively suppressed for superb corner-to-corner resolution. The same design also contributes to the beautiful background bokeh that is an important part of G Lens appeal.
With a minimum focus distance of just 0.9-meter and maximum magnification of 0.31x, this versatile zoom lens lets you get extra close to capture new details and perspectives that can add immeasurably to your creative capabilities. In one lens you have high-performance medium to super telephoto zoom as well as telephoto macro capability.
Built in Optical SteadyShot image stabilization minimizes the effects of camera shake when shooting handheld, making it easier to capture crisp, clear images that realize the lens's full potential. Optical SteadyShot is effective at all focal lengths, and significantly increases your opportunities for great shots even in low-light conditions.

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FE 90 mm F2.8 Macro G OSS

Sony SEL90M28G

Beautiful background bokeh is synonymous with the G Lens name, and it can really make the subject stand out. Individual calibration of each lens ensures optimum compensation for spherical aberration, resulting in smooth rendering of edges without a trace of ugly "nisen bokeh." A nine-blade circular aperture also contributes to great looking bokeh.
Macro lenses are often used over a wide range of focusing distances, so a floating focus mechanism has been implemented for optimum suppression of close-focus aberration. The floating system reduces the size of the lens while maintaining outstanding clarity throughout the image area, from infinity to the closest focusing distance.
Two focus groups in a floating focus configuration are driven by an innovative DDSSM (Direct Drive Super Sonic wave Motor) system for smooth, precise positioning of the relatively heavy lenses that make full frame macro magnification possible. This system is remarkably quiet, and is ideal for animal or insect photography as well as movies.
Although a tripod is usually considered necessary for sharp macro photography, built-in OSS (Optical SteadyShot) image stabilization makes it possible to shoot sharp macro images handheld. The heavy stabilization lens is driven by a responsive linear motor for fast, precise stabilization.

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E PZ 18-110 mm F4 G OSS

Sony SELP18110G

This powered zoom lens delivers optimum performance in Super 35 mm/APS-C moviemaking applications, starting at 18 mm wide-angle and extending through an impressive 6.1x zoom range with a constant F4 maximum aperture. G Lens optical performance delivers image quality that is suitable for 4K throughout the zoom range, right out to the image periphery.
Sony's original SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on movie quality. Focus breathing is minimized by an internal focus mechanism, focus shift is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design.
In addition to smooth powered zoom, mechanical manual zoom ensures control with no lag. The desired angle of view can be accurately reached without overshoot or undershoot. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant.
Built-in Optical SteadyShot image stabilization helps to keep captured images stable and blur-free in a wide range of shooting conditions. It can be a huge advantage when shooting in low light, minimizing the need to boost ISO and possibly introduce noise, as well as when moving around with the camera.

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FE PZ 28-135mm F4 G OSS

Sony SELP28135G

This powered zoom lens has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K and future formats, when matched with a high-performance 35 mm full frame format camera or Super 35 format camcorder. Focus breathing, image shift, and all types of aberration have been minimized. (Super 35 format camcorder Sony PXW-FS7 with SELP28135G shown above.)
SMO (Smooth Motion Optics) is a Sony optical design concept for large-aperture interchangeable lenses that is specifically aimed at achieving the highest possible image quality and resolution for motion images. SMO design addresses three main issues that are critical for moviemaking: focus breathing, focus shifts that can occur while zooming, and lateral movement of the optical axis while zooming.
The world's first RDSSM (Ring Drive Super Sonic wave Motor) drive in a lens designed for moviemaking achieves exceptionally smooth, quiet zoom. Iris operation is smooth and quiet too. Independent control rings for zoom, focus, and iris are provided. Zoom speed can be precisely controlled over a wide range, with zoom rotation direction reversal capability.
Sony mount lenses are notably compact and lightweight, painstakingly designed to match the widest possible range of mount bodies in both form and function. Compact dimensions and reduced weight are an advantage in shooting situations that demand maximum mobility.

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